Author Archive

Uira Engine Collaboration

Tuesday, August 4th, 2009

0900H GMT, Sol System, 3rd Planet
Uira EngineThe Raygun Gothic Rocketship crew is pleased to announce our joint collaboration with Dr. Wade Enright and Dr. Alan Rorie, with support from Nathaniel Taylor. Dr. Enright is a leading high voltage researcher at the Department of Electrical Engineering, University of Canterbury, Christchurch, New Zealand, and Dr. Rorie, a high voltage artist working under the name Almost Scientific. Nathaniel Taylor is an artist and fabricator working under the name of Radio Robot Labs.

The result of their collaboration with the Raygun Gothic Rocketship is the the Uira Engine, a kinetic, high voltage sculpture serving as the power source and engine for the Raygun Gothic Rocketship. The word uira means lightning in Maori, the language spoken by the indigenous Polynesian people of New Zealand. The high potential of this collaboration will undoubtedly extend beyond the Uira Engine, and serve as a model for how aesthetic and scientific inquiry inform each other.

The Uira engines will be tested throughout the week at Burning Man, with an initial test launch planned for Friday, September 4th, 2009 at 10 PM PST.

Why I like space better than the orphanage

Thursday, July 30th, 2009

By Violet Nedham, foundling, age 12

– Adoptive parents did not like it when I began talking about cold fusion.

– For fun, fixing the airlock knocks peeling potatoes clean out of the park.

– Wearing a jumpsuit is far less itchy than gingham frock with puffy sleeves.

– Collecting scrap metal for the superstructure is much more satisfying than organizing can drives. They supposedly benefit orphans, but actually just benefit Miss. Pennywhistle’s gin habit.

– Creamy risotto with asteroid shavings is light years better than gruel.

– I am very bad at tap dancing anyway and piano. But in zero gravity, who can tell?

– I have now not only met Flash Gordon personally, but helped him battle giant lizards bent on world domination. At the orphanage I only met other orphans. And no giant lizards at all.

Planets on Which I am a Hero

Thursday, July 30th, 2009

By Judd Earnest, Space Adventurer, crewmember of the Raygun Gothic Rocketship

I realize that many of my fans may be familiar from my exploits as they are told in fictionalized form in the radio serial The Perilous Adventures of the Raygun Gothic Rocketship. But there they are jumbled together with the heroics of my fellow crew members. It can be difficult for the average bright-eyed youth to keep our accomplishments straight. Here, then, for my admirers, is a list of the planets who have held parades for me, named babies after me, and garlanded with me with space eels as a way of ritually marking me one of their own.

*Zylorx, to which I introduced both the cupcake and democracy.

*Althea-12, whose wayward youth I reformed from a life of Lacanian literary analysis (they were especially fond of the works of George Eliot) and set on a path of engine thruster engineering.

*Gamma, which I liberated from a despotic squid monster.

*Nebulon, where I simply flew low in my cruiser and waggled the wings from side to side, which impressed them greatly.

*Mars, which I introduced to the music of Cab Calloway.

*Earth, where I kissed a Venusian in front of Edward R. Murrow.

The Raygun Gothic Rocketship "Teaser"…

Monday, June 29th, 2009

Raygun Gothic Rocketship Crew @ the Desert Arts Preview

Monday, June 29th, 2009

Raygun Gothic Rocketship

Thursday, June 25th, 2009

Make Magazine logo

“The Raygun Gothic Rocketship is an impressive large-scale installation piece in the works by the same fine crew that created the Steampunk Treehouse.”

“…Inside, the three circular rooms have windows and are connected by ladders. There is a control room, a bio lab and observatory, and an engine room…”

More here: http://blog.makezine.com/archive/2009/06/raygun_gothic_rocketship.html

2009 DESERT ARTS PREVIEW

Thursday, June 25th, 2009

Sean Orlando, Nathaniel Taylor, and David Shulman (progenitor of the mysterious “Shulman Resonance”) presented on the past, present, and future exploits of the Raygun Gothic Rocketship at the Burning Man Desert Arts Preview. Questions will be answered. Death rays were autographed. Mysteries revealed.

GALACTIC GALA

Friday, June 5th, 2009

Photo from PhotoBoof.com The Galactic Gala was a smashing success. Pilots rubbed elbows with debutantes, explorers cavorted with bespangled performers, and mechanics cut a rug on the dance floor in the arms of pan-galactic ambassadors. All were united in common cause: Raising funds to launch the Raygun Gothic Rocketship from Black Rock City. Even an alien invasion could not dim the high spirits of those assembled – the attack was quickly quelled and all that remained was dancing, romancing, and the orbular eye of the friendly rectangular photo robot.

Get Out: A blastoff party for Raygun Gothic Rocketship

Wednesday, June 3rd, 2009

A mention in Contra Costa Times: [more]

Introducing the Raygun Gothic Rocket

Monday, June 1st, 2009

The Raygun Gothic Rocketship (RGR) is an 80 year old vessel of scientific discovery and exploration. In her time she has crash-landed on the frozen seas of Mars, gathered specimens from every last one of the 400 volcanoes of Io and charted the caves of Mongo.

The Raygun Gothic Rocketship is also a large-scale, interactive sculptural art installation, being built this very moment at a warehouse in West Oakland, California. Both realities coexist simultaneously, and will do so until the Raygun Gothic Rocketship arrives at Black Rock City, Nevada in late August of 2009, to embark on her next voyage.

The Rocketship is 40′ tall, 8′ in diameter, and is estimated to weigh 7.5 tons. It is being crafted in part from recycled, reclaimed, and reused materials. A fuller description can be found here.

The Raygun Gothic Rocketship is intended to creatively explore our ideas about evolution and technology as they relate to our notions about progress and The Future. This project exists at the blurry edge where science and fiction blend and become both our reality, and the stories we tell ourselves about that reality.